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The Mothman Prophecies
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DIRECTORS OF "The Mothman Prophecies"
The Mothman Prophecies
CRITICS OF "The Mothman Prophecies"
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Georgia Straight
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February 07, 2014

Faced with such an unlikely mishmash of unexplainable events, you've given up believing anything by the time the popcorn's gone.
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Suite101.com
Resource

September 19, 2010

The stylish bleakness keeps you off-balance with unreliable narration and an unforgettable conclusion. The more it accelerates rant-and-rave paranoia, the greater it gets - a campfire-ready chiller whose subconscious embers glow long after it's over.
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Variety

January 11, 2008

Director Mark Pellington hardly lets a moment pass without suggesting some bad vibes creeping onto the edges of the screen, but he's let down by Richard Hatem's script.
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Sacramento News & Review

August 07, 2008

Messy but eerie.
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Minneapolis Star Tribune
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November 06, 2002

Despite hints that it aspires to be more, The Mothman Prophecies is a by-the-numbers sci-fi thriller.
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Chicago Reader
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January 11, 2008

This is the scariest movie I've ever seen.
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Chicago Tribune

July 20, 2002

A gaudy yet grim science-fiction horror movie of such surpassing silliness, humorless intensity and stylistic overkill that watching it may actually put you in a state of paranoia. Why are these moviemakers persecuting us?
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Time Out
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February 09, 2006

There are certainly strong moments and efficient set pieces here, too, but for all the claims that the film, adapted from a 1975 book by John Keel, is based on real events, Pellington fails to sustain credibility.
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Common Sense Media

December 28, 2010

Psychological thriller may deeply upset some kids.
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eFilmCritic.com
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July 18, 2008

The last reel or so is an embarrassment -- or entertainment at long last, depending on how you look at it.
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Newsweek
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September 29, 2008

Pellington knows, as did the 1940s master of horror Val Lewton, that what you don't see can raise far more goose bumps than what you do.
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Cinema Crazed
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April 29, 2009

A sub-par, often lethargic take on a a creepy urban legend with absolutely nothing to offer its audience.
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