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The Last House On The Left (1972)
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The Last House On The Left (1972)

Description
Driving by their deep love for a rock band, Mary and Phyllis, two young beautiful teenager girls, who go to the big city, in order to attend the ceremony of their favorite band, have been hijacked by a dangerous criminal that has taken them to the wood, where he exploits them and torture them in a brutal way.
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DIRECTORS OF "The Last House On The Left (1972)"
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The Last House On The Left (1972)
CRITICS OF "The Last House On The Left (1972)"
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Antagony & Ecstasy
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July 05, 2015

[Its] indictment of the human capacity for hatred and violence is nothing next to its status as a long lost Keystone Kops feature cut together with the world's worst folk musical.
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Groucho Reviews
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September 27, 2011

A depraved exploitation film specifically designed to shock and repulse viewers...also a cultural artifact reflective of and reactive to the time it was made... [Blu-ray]
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New York Times
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May 09, 2005

The party who wrote this sickening tripe and also directed the inept actors is Wes Craven.
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TV Guide
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September 26, 2007

An ugly, disturbing, passionately conceived cult favorite, Last House on the Left is much more complex (albeit crudely made) than its controversial reputation would suggest.
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CinePassion
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October 19, 2016

Indelibly scummy, Wes Craven's freshman shocker is less a rip-off of The Virgin Spring than a purposefully degraded update, with the medieval barbarism of the original cannily transplanted to Vietnam-era America.
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Time Out
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February 09, 2006

Craven's cold, flat style of filming emphasises the fact that the violence dehumanises not only the victims but the aggressors.
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Ozus' World Movie Reviews
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February 13, 2016

It's pretty to look at and ugly to digest.
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Chicago Sun-Times
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October 23, 2004

A tough, bitter little sleeper of a movie that's about four times as good as you'd expect.
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Cinema Crazed
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June 13, 2013

A piss poor horror film with terrible production qualities.
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Empire Magazine
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September 26, 2007

Sartorially dated certainly, but still powerful, disturbing and raw.
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Chicago Reader
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September 26, 2007

It isn't artistically adroit, but if success in this genre is counted by squirms, it's a success.
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Reel Film Reviews
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March 13, 2009

The exceedingly low-rent production values subsequently ensure that the more overtly horrific elements within Craven's script often fall completely flat...
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