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Romper Stomper
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Romper Stomper

Description
The film follows a group of skinheads. Nazi skinheads in Melbourne put their rivals who struggle them on local Vietnamese, who are seemed to threaten racial purity.
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HEROES OF "Romper Stomper"
Romper Stomper
CRITICS OF "Romper Stomper"
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Atlantic City Weekly

March 16, 2007

Crowe first shows his star quality
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Future Movies UK
Resource

March 13, 2005

Romper Stomper is a convincing depiction of subculture, and one that dares to present these figures as real, troubled individuals rather than stereotypes.
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Washington Post
Resource

January 01, 2000

Exploits the frustration, anger and violence of a despicable subculture while excusing the glorification of its hate aesthetic as necessary "reporting."
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Apollo Guide
Resource

June 12, 2002

I like to think of it as a fury-filled documentary on how hate is not just an American preoccupation. Remember, this is the way things are -- deal with it.
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TV Guide
Resource

May 04, 2010

Crowe is powerful and terrifying, and the erotic chemistry between Pollock and McKenzie is no less intense and enriched by strong performances by both.
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Time Out
Resource

June 24, 2006

The cheap 'message' of the ending fails to salvage a film that at best is well-meant but misguided, at worst, flashy and garbled.
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Film4
Resource

May 04, 2010

For all the dynamism and drive, the film walks a fine line between exposure and outright exploitation -- wherein lies much of its appeal.
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Washington Post
Resource

January 01, 2000

It's merely another violent art house picture, slumming modishly in the world of psycho-personalities, and exhibiting only occasional flashes of originality.
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Film Threat

December 06, 2005

Given his formidable presence and equal talent, it was only a matter of time before New Zealand-born, Australian-raised Russell Crowe made the mainstream American breakthrough he enjoyed with Gladiator.
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Movieline

January 09, 2002

Brutal but powerful.
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Variety
Resource

June 09, 2008

Romper Stomper is A Clockwork Orange without the intellect.
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TheMovieReport.com
Resource

January 13, 2004

The film [has] a raw, sometimes discomfiting immediacy... The cast attacks their roles with matching intensity.
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