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Pasolini
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Pasolini

Description
The movie tells the story of the final days of Italian film director Pier Paolo Pasolini in 1975 while he's in the process of defending his latest film Salo, 120 Days of Sodom from the censors. 
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Pasolini
CRITICS OF "Pasolini"
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Georgia Straight
Resource

February 18, 2016

Despite notable complications rising from casting, concept, and structure, the film works remarkably well.
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Radio Times
Resource

September 11, 2015

Even cineastes with a good working knowledge of Pier Paolo Pasolini's life and works are going to struggle to navigate this capriciously intricate account of his final days in November 1975.
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Variety
Resource

September 08, 2014

Presumably, to understand Pasolini is to excavate him from the twisted miasma Ferrara has created in his image.
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Independent (UK)
Resource

September 11, 2015

The film isn't so much a conventional narrative as an elegy and a parable.
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The Film Stage
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March 12, 2016

It's an absorbing portrait, particularly compelling when relying on Pasolini's own words, which we hear verbatim through original letters and interviews.
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Hollywood Reporter
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September 08, 2014

The result borders on incoherence, providing few startling insights for aficionados and minimal illumination for the uninitiated.
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Sunday Independent (Ireland)
Resource

March 11, 2016

It is difficult for anyone unfamiliar with Pasolini to keep track and to appreciate all of the details in what is undoubtedly a lovingly researched but ultimately hard-to-grasp homage.
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South China Morning Post
Resource

June 06, 2016

Abel Ferrara's reverent portrait of Pier Paolo Pasolini's last day alive serves as both a fan's impassioned eulogy and a speculative glimpse at what might have transpired.
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Observer (UK)
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September 13, 2015

The heady cocktail of politics, religion, blowjobs and murder is catnip for Ferrara, although anyone not versed in the controversies of Salò may leave the film none the wiser.
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AV Club
Resource

September 11, 2014

A flawed film of unvarnished integrity.
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Sight and Sound
Resource

September 11, 2015

Despite Ferrara's insistence that he and his key crew are devout students of Pasolini's cinema, he applies the lessons of this apprenticeship freely, without mimicry.
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