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Orlando

Description
In 1600, nobleman Orlando inherits his parents' house, thanks to Queen Elizabeth I, who commands the young man to never change. The film follows him as he moves through several centuries of British history, experiencing a variety of lives and relationships along the way, and even changing sex.
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Orlando
CRITICS OF "Orlando"
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South Florida Sun-Sentinel
Resource

March 23, 2015

Unlike anything onscreen this month or this year, Orlando is serious, provocative and sometimes funny fare. Novelist Virginia Woolf might well be pleased.
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Philadelphia Weekly

March 23, 2015

Credit where credit is due: Potter more or less successfully converted a crazy, overflowing tome into something simple and attractive.
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Los Angeles Times
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March 23, 2015

Though visually impressive and assured, it is the hollowest of successes, all chic set design, smug posturing and self-satisfied attitude.
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Baltimore Sun
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March 23, 2015

It wanders from the frozen London of the 1600s to the battlefields of World War I and has fun all the way. You haven't seen anything like it.
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Orlando Sentinel
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March 23, 2015

Potter possesses a natural gracefulness in presentation that helps a little but, finally, not nearly enough. Orlando is vague when she means it to be mysterious, coy when it ought to be witty, familiar when it should be bold.
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Chicago Tribune
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March 23, 2015

What it lacks in coherence it makes up for in sheer spectacle.
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ReelViews
Resource

March 23, 2015

See Orlando for its fabulous costumes, fascinating look at changing eras, and impressive performance by Tilda Swinton. Viewing this film for other reasons will almost certainly lead to a negative impression.
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Seattle Times
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March 23, 2015

Reminiscent of the low-budget lushness of the early films of Peter Greenaway and Ken Russell, Orlando could turn out to be the art-house smash of the summer.
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Tulsa World
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March 23, 2015

Writer-director Sally Potter's film, based on the classic Virginia Woolf novel, is a lyrical history lesson on the nature of sexual politics.
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Empire Magazine
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March 20, 2015

What it perhaps lacks in content, the film more than makes up for in its stunning design and accesible, humorous approach.
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Philadelphia Inquirer
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March 23, 2015

The good news about this historical vaudeville is that Orlando's consciousness, like his/her gender, is a delightful work-in-progress.
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Film4
Resource

March 23, 2015

Sumptuous and witty book-to-screen treatment for Virginia Woolf's novel, with graceful and ambitious direction by Sally Potter.
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