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Barb Wire
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Barb Wire

Description
Living in the 'Second American Civil War', sexy Barb Wire works as a mercenary and runs a night club to earn a living. When a fugitive scientist, who bring with him the blueprints of government's bio-weapons, comes and hides in her club, Barb gets caught up in a deadly adventures that she had never expected to.
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CRITICS OF "Barb Wire"
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Cinema Crazed
Resource

March 20, 2013

A lemon of a comic book movie with an uninteresting heroine, bad acting, and a bland humorless premise...
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TV Guide
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April 27, 2007

We used to complain about Hollywood travesties of great books; now we're reduced to kvetching about movies that cheapen the comic strips on which they're based.
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Chicago Reader
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April 27, 2007

Its main source is a comic book, but it might as well be a computer.
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TheMovieReport.com
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January 11, 2004

The most inane and inept hootfest (or, for that matter, hooterfest) to hit the big screen since Showgirls.
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Time Out
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January 26, 2006

The film's haphazardly edited, lacks narrative clout, and rambles on to a ludicrously extended conclusion.
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Washington Post

April 27, 2007

The movie carries its cyberpunk variation right through to the end, and usually with enough wit and craziness to freshen the mix. Then, there is Pamela, whose tight, disciplined performance deserves more respect than it will almost certainly get.
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Los Angeles Times
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February 14, 2001

Made with a wafer-thin stylishness that thinks dressing the Congressionals like storm troopers is creative, Barb Wire plods along, following one pro forma scene with the next.
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Variety
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April 27, 2007

his cartoonlike starring vehicle for Pamela Anderson Lee offers enough choreographed fight sequences, heavy artillery and fleeting glimpses of the star's august body parts to satisfy the raging hormones of its target young male audience.
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Reel Film Reviews
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February 07, 2011

...a consistently inept and astonishingly dull actioner...
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rec.arts.movies.reviews

December 04, 2002

After a while [the] novelty wears off.
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Entertainment Weekly
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July 07, 2010

The irony of this style, with its high-swank grunge clutter, is that it's too dissociated to have coherence even as pop; we're always aware that we're watching sets being photographed.
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Combustible Celluloid
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December 18, 2004

There isn't a scene that Anderson-Lee walks through that didn't grab my attention.
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