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As Above, So Below
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As Above, So Below

Description
Scarlett goes to Paris to carry on the work of her father on finding the philosopher stone, as she is an alchemy scholar herself. She along with her friends expeditions turn interesting as they start to discover catacombs below the streets of Paris. Things go far from planned as their past comes back to haunt them, when they start to tell deep dark secrets of the city
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HEROES OF "As Above, So Below"
As Above, So Below
CRITICS OF "As Above, So Below"
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TheShiznit.co.uk
Resource

July 11, 2016

It just isn't scary or clever enough and doesn't really gain momentum until a last minute dash towards a toe-curlingly obvious resolution.
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Independent Online (South Africa)
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March 28, 2016

This movie has a truly uninspired premise and wallows in so much inanity that it might as well have been buried in the catacombs, too.
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New York Times
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August 29, 2014

The movie's signature signage - "Abandon all hope, ye who enter here" - is the only instruction we really need.
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The Film Stage
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March 20, 2016

As Above gets lost down in the dark with its characters, rendering Dante's iconic warning equally relevant to an audience looking for original frights.
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Toronto Star
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August 29, 2014

While the film has a reasonably engaging cast and some decent scares, the script feels like an uneasy blend of The Blair Witch Project and Tomb Raider.
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Arizona Republic
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August 31, 2014

Once the characters go underground, things start happening. Not scary things, mind you, but things.
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Los Angeles Times
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August 29, 2014

An entertainment-free sinkhole of Dramamine-worthy nonsense ...
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RogerEbert.com
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August 29, 2014

"As Above, So Below" is novel enough to be worth the price of admission, but you'll think twice before getting back in line for a second visit.
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Cinemixtape
Resource

April 08, 2016

It's [Perdita Weeks'] strangely believable performance that saves the film from itself, planting us firmly in its corner, often against our will.
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Consequence of Sound
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September 02, 2015

As Above, So Below is a film that gets in its own way as much as dead ends block the paths of its characters.
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Grantland
Resource

September 02, 2014

Once upon a time, when someone in a horror movie turned a doorknob or drove toward a storm, you got to feel superior and shout, "Don't go in there!" Now it's more like, "Seriously? You're not gonna put down that camera first?"
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Cinemaphile.org
Resource

March 26, 2016

I have seen dozens of these "queasy-cam" vehicles in my 18 years as a writer of film, and so few of them ever surpass the limitations of their technique. This is one that carves out a spot in the upper tiers.
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